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  2. You Gotta Move (song) - Wikipedia

    en.wikipedia.org/wiki/You_Gotta_Move_(song)

    "You Gotta Move" is a traditional African-American spiritual song. Since the 1940s, the song has been recorded by a variety of gospel musicians, usually as "You Got to Move" or "You've Got to Move". It was later popularized with blues and blues rock secular adaptations by Mississippi Fred McDowell and the Rolling Stones.

  3. Contemporary worship music - Wikipedia

    en.wikipedia.org/wiki/Contemporary_worship_music

    In particular the use of projectors means that the song repertoire of a church is not restricted to those in a song book. [clarification needed] Songs and styles go in trends. The internet has increased accessibility, enabling anyone to see lyrics and guitar chords for many worship songs, and download MP3 tracks.

  4. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: Play ...

  5. Sometimes I Feel Like a Motherless Child - Wikipedia

    en.wikipedia.org/wiki/Sometimes_I_Feel_Like_a...

    Samuel Coleridge-Taylor arranged the song as the first movement of his Trio in E minor of 1893. [5] Multiple recordings of the song were made by Paul Robeson, starting in 1926. [6] Mahalia Jackson recorded the song for her album Bless This House in 1956. [7] Bessie Griffin and The Gospel Pearls recorded the song on their Portraits in Bronze ...

  6. Like a Prayer (song) - Wikipedia

    en.wikipedia.org/wiki/Like_a_Prayer_(song)

    This was demonstrated by the use of a gospel choir, whose voice heightens the song's spiritual nature, while the rock guitar sound keeps it dark and mysterious. [12] For Lucy O'Brien, the lyrics describe Madonna receiving a vocation from God. [14] Certain portions of the lyrics also alluded to Sean Penn and their failed marriage.

  7. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  8. ChordPro - Wikipedia

    en.wikipedia.org/wiki/ChordPro

    The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...

  9. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]

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