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The writings of a Christian poet are not necessarily classified as Christian poetry nor are writings of secular poets dealing with Christian material. The themes of poetry are necessarily hard to pin down, and what some see as a Christian theme or viewpoint may not be seen by others. A number of modern writers are widely considered to have ...
The original poem was in three paragraphs of 16 lines each (for a total of 48). [2] [3] The exact date of this document is uncertain, although it is usually dated between 1745 [1] and 1750. [4] [5] This was later published in the author's posthumous Poems, &c. (1773) and later again in his Works (1814, vol. ii). [2]
According to Watson Kirkconnell, the Christiad, "was one of the most famous poems of the Early Renaissance". Furthermore, according to Kirkconnell, Vida's, "description of the Council in Hell, addressed by Lucifer, in Book I", was, "a feature later to be copied", by Torquato Tasso , Abraham Cowley , and by John Milton in Paradise Lost .
The 3rd century AD poet Commodian wrote a series of 80 short poems on Christian themes called Instructiones. Each of these is fully acrostic (with the exception of poem 60, where the initial letters are in alphabetical order), starting with PRAEFATIO ‘preface’ and INDIGNATIO DEI ‘the wrath of God’.
The poems of the Junius Manuscript, especially Christ and Satan, can be seen as a precursor to John Milton's 17th century epic poem Paradise Lost. It has been proposed that the poems of the Junius Manuscript served as an influence of inspiration to Milton's epic, but there has never been enough evidence to support such a claim (Rumble 385).
Like many poems of the Anglo-Saxon period, The Dream of the Rood exhibits many Christian and pre-Christian images, but, in the final analysis, is a Christian piece. [24] Examining the poem as a pre-Christian (or pagan) text is difficult, as the scribes who wrote it down were Christian monks who lived in a time when Christianity was firmly ...
"The Touch of the Master's Hand", also sometimes called The Old Violin, [1] is a Christian poem written in 1921 [2] by Myra Brooks Welch. [3]The poem tells of a battered old violin that is about to be sold as the last item at an auction for a pittance, until a violinist steps out of the audience and plays the instrument, demonstrating its beauty and true value.
Christ I is found on folios 8r-14r of the Exeter Book, a collection of Old English poetry today containing 123 folios. The collection also contains a number of other religious and allegorical poems. [3] Some folios have been lost at the start of the poem, meaning that an indeterminate amount of the original composition is missing. [4]
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