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The song reached No. 20 on the U.S. Billboard Hot 100 [1] and number 15 on the Cash Box Top 100. [2] "Hummingbird" was a bigger Adult Contemporary hit, reaching number 12 on the U.S. chart [3] and number three in Canada. [4] Harvey Brooks played bass on this song and talks about it in this interview for No Treble. [5]
Year of Sunday is the third album by soft rock duo Seals and Crofts. It was released in 1971 on Warner Bros. Records and was their first record for a major label. Track listing
A few shows featured Jim's sons Joshua on bass guitar and backing vocals and Sutherland on electric guitar. [12] Seals and Crofts were instrumental in both England Dan Seals and John Ford Coley becoming adherents of the Baha'i Faith, [13] although Coley became a Christian some 28 years later. [14] Dan Seals died of cancer in 2009.
Unborn Child is the sixth studio album by American music duo Seals and Crofts, released on February 8, 1974 by Warner Bros. Records.It features two singles, "Unborn Child" and "The King of Nothing", which reached number 66 and number 60 on the Billboard Hot 100 respectively.
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Troy Harold Seals (born November 16, 1938, in Bighill, Madison County, Kentucky, United States) [1] is an American singer, songwriter, and guitarist. [2]He is a member of the prominent Seals family of pop musicians that includes Jim Seals (of Seals and Crofts), Dan Seals (of England Dan & John Ford Coley), Brady Seals (Little Texas and Hot Apple Pie), and Johnny Duncan. [2]
Greatest Hits is a compilation album by Seals and Crofts, released in November 1975 by Warner Bros. Records. It includes a new recording of the song "When I Meet Them," of which the first version appeared on Year of Sunday. The other songs were the same versions released on their previous four albums.
The group's roots go back to 1971, [3] when Joe and Lily Isaacs began a bluegrass band. Lily's parents are Polish Jewish Holocaust survivors. A few years after they were liberated from a concentration camp in Germany in 1945, her parents moved two year old Lily to New York City, where, in 1958, she got a recording contract with Columbia Records and started performing in night clubs.