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Master of Frankfurt, Saint Odile and Saint Cecilia, ca. 1503–1506, oil on panel, 113 x 67.9 cm (44 1/2 x 26 3/4 in.), Historical museum, Frankfurt.This painting, rendered in grisaille, forms part of the outer wings of the Altarpiece of St. Anne commissioned for the Dominican Church of Frankfurt circa 1504.
A painting by Parmigianino in 1524 Self-portrait in a mirror, demonstrates the phenomenon. Mirrors permit surprising compositions like the Triple self-portrait by Johannes Gumpp (1646), or more recently that of Salvador Dalí shown from the back painting his wife, Gala (1972–73). This use of the mirror often results in right-handed painters ...
Dimensions: 52.7 cm × 46.7 cm (20.7 in × 18.4 in) ... 24.197.1: Self-Portrait or Portrait of an Old Man is an oil-on-canvas painting by El Greco, likely dating to ...
Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
Self-Portrait at Seventy-Eight, 1858, 62 x 51 cm.. This is an incomplete list of paintings by the French neoclassical painter Jean-Auguste-Dominique Ingres (1780–1867). ). Although he considered himself a classicist in the tradition of Nicolas Poussin and Jacques-Louis David and had a longstanding rivalry with Eugène Delacroix, some of his later works included elements of romanticism and orien
The painting was accepted because it combined a nude portrayal with a historical scene, which matched the taste of the public and the Salon jury during that period. [6] In his self-biography, Corinth did not mention the painting, but he does describe his joy at the award for the Pietà: [8]
It has been speculated that the painting depicts the family's celebration of Jordaens' admission as a master to the Antwerp Guild of St Luke in 1615. The painting is full of symbols of family harmony and bliss. Music represented by the lute is an embodiment of harmony and in the context of a family portrait it references a harmonious marriage.
Self-Portrait is an oil painting on panel of c. 1629–1630 by the Dutch artist Jan Lievens. The work is held in a private collection, but was exhibited in Washington, D.C., from 2008 to 2009, and worldwide with the Leiden Collection from 2017 and 2019.
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