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Instead, the poem draws on an older story, repeated in Milton's History of Britain, that Joseph of Arimathea, alone, travelled to preach to the ancient Britons after the death of Jesus. [4] The poem's theme is linked to the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a New Jerusalem.
The section contains quotes from poems by Hallfreðr vandræðaskáld and Þjóðólfr of Hvinir. [23] The Nafnaþulur section of Skáldskaparmál includes Jörð in a list of ásynjur names. [24] Additionally, as the common noun jörð also simply means 'earth', references to earth occur throughout the Prose Edda. [25]
An Earth god or Earth goddess is a deification of the Earth associated with a figure with chthonic or terrestrial attributes. There are many different Earth goddesses and gods in many different cultures mythology. However, Earth is usually portrayed as a goddess. Earth goddesses are often associated with the chthonic deities of the underworld. [1]
Chernozem (/ ˈ tʃ ɜːr n ə z ɛ m / CHUR-nə-zem), [a] also called black soil, regur soil or black cotton soil, is a black-colored soil containing a high percentage of humus [3] (4% to 16%) and high percentages of phosphorus and ammonia compounds. [4] Chernozem is very fertile soil and can produce high agricultural yields with its high ...
The xirang mythology has interesting parallels to the mythologies of the indigenous peoples of the Americas, particularly the earth-diver creation myth. In the earth-diver myth, the primordial waters cover all, until after overcoming great perils, a certain creature is able to dive down into the waters and retrieve a small bit of magical soil.
Turbah (Arabic: تربة) has a primary meaning of 'dirt', 'earth' or 'soil', identified as the material Allah used to create the earth and humankind. Turbah also denotes any ground on which one prostrates oneself for prayer.
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"Invective against Swans" perhaps "shows" how to do that re-imagining. Its allusion to Paphos, the mythical birthplace of Aphrodite—embodiment of the values of love, sex, and beauty—doesn't bespeak an attitude that exults in slipping "the surly bonds of Earth." Instead it expresses summer's end in a pungently non-Victorian way.