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Mel Brooks: June 12, 1981 20th Century Fox $31,672,907: Anthology comedy 62% [3] 1982: My Favorite Year: Richard Benjamin: October 8, 1982 Metro–Goldwyn–Mayer: $20,123,620: Comedy 96% [4] Frances: Graeme Clifford: December 3, 1982 Universal Pictures: $5,000,000 Biographical drama: 65% [5] 1983: To Be or Not to Be: Alan Johnson: December 16 ...
A scene from The Critic (c. 00:56); grumpy narrator Mel Brooks speculates that this is birth with the thing being attacked.. The Critic is an American 1963 short animated film by director/producer Ernest Pintoff and creator/narrator Mel Brooks that won an Oscar for Short Subjects (Cartoons) in 1964.
Blazing Saddles is a 1974 American satirical postmodernist [4] [5] Western black comedy film directed by Mel Brooks, who co-wrote the screenplay with Andrew Bergman, Richard Pryor, Norman Steinberg and Alan Uger, based on a story treatment by Bergman. [6]
Melvin James Brooks (né Kaminsky; born June 28, 1926) is an American actor, comedian, and filmmaker.With a career spanning over seven decades, he is known as a writer and director of a variety of successful broad farces and parodies. [1]
Brooks receiving a star on the Hollywood Walk of Fame in 2010. Mel Brooks is an actor, comedian, and filmmaker of the stage, television, and screen. He started his work as a comedy writer, actor, and then director of 11 feature films including The Producers (1967), Young Frankenstein (1974), and Blazing Saddles (1974).
Dracula: Dead and Loving It is a 1995 comedy horror film directed by Mel Brooks and starring Leslie Nielsen. It is a spoof of Bram Stoker's novel Dracula and of some of the story's well-known adaptations. Brooks co-authored the screenplay with Steve Haberman and Rudy De Luca. He also appears as Dr. Van Helsing.
Bancroft introduced Brooks to Frank Langella, who worked with her on the stage drama A Cry with Players and an experimental stage adaptation of The Skin of Our Teeth. Langella assisted Brooks with the casting of Ostap by helping him name actors to potentially play the part. Brooks eventually gave up and told Langella: "Oh, the hell with it. You ...
Roger Ebert's three-star review stated that in the film, Mel Brooks "combines a backstage musical with a wartime romance and comes up with an eclectic comedy that races off into several directions, usually successfully." [4] Gene Siskel awarded two-and-half stars and wrote that the film "contains more genuine sentiment than big laughs. If you ...
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