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Kendang are also used as main instrument for Jaipongan dances. In another composition called Rampak Kendang, a group of drummers play in harmony. Among the Makassarese, the Ganrang (kendang) drums have much more importance, with it considered the most sacred of all musical instruments, comparable to gongs in Java.
Gordang sambilan is a kendang (Indonesian version of drum) musical instrument originating from North Sumatra, Indonesia. [1] Gordang sambilan consists of nine relatively large and long drums (drum chime) made of ingul wood and played by four people. The size and length of the nine drums are stratified, starting from the largest to the smallest.
The mridangam is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to ...
It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and less often used as a rhythm accompaniment for various other sub-forms of music and dance performances (e.g. kathak, odissi, marathi). It has a low, mellow tone that is quite rich in harmonics.
Celempungan is a Sundanese musical genre that includes several musical instruments such as kacapi, kendang, goong/gong, and suling or rebab (optional), and Juru Kawih (singer). Kendang, the drum, controls the tempo of the ensemble and reinforces the meter. Celempungan is named for the celempung, a bamboo tube zither from West Java. [1]
Kemanak is also a style of gendhing which includes, in addition to kemanak, only colotomic instruments, a kendang, and a sindhen. In the region of Cirebon on the Northwest Coast of Java , Kemanak are played in pairs by striking one against the other in a repetitive fashion.
The gangsa instruments play elaborate ornamentations (flowers) on the underlying melody (pokok, or trunk of the tree) of a piece of music. The explosive feeling of the gong kebyar style derives mainly from the dynamic range of these instruments, whose bright, sharp tones can sound anywhere from soft and sweet to extremely loud and aggressive.
Some of these musical instruments are indeed included in a complete gamelan orchestra. Musical instruments such as metallophones (saron, kenong, kecer), xylophones , the bamboo flute , drums in various sizes (kendang), cymbals, bell (genta), and bowed and plucked string instruments were identified in this image. [20]
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