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The second volume of The Best of John Fahey was assembled by American guitarist and composer Henry Kaiser.The album included three unreleased tracks from 1991; “Twilight on Prince George’s Avenue,” “Sligo Mud”, and “Tuff” which were assumed to be from an album Fahey recorded for Shanachie Records titled Azalea City Memories that was never released. [1]
The Best of John Fahey was reissued on CD in 2002 by Takoma and included three bonus tracks taken from three later albums. It includes liner notes and commentary by such guitarists as Leo Kottke, Peter Lang, Jim O'Rourke, and George Winston, some of whom had recorded numerous Fahey compositions on their own albums or who were once signed to his Takoma label.
The Essential John Fahey: Vanguard: Leo Kottke, Peter Lang & John Fahey: Takoma: 1977 The Best of John Fahey 1959–1977: 1993 The New Possibility: John Fahey's Guitar Soli Christmas Album/Christmas with John Fahey Vol. 1: Rhino: 1994 The Return of the Repressed: The John Fahey Anthology: 1996 The Legend of Blind Joe Death: Takoma 1996 The Best ...
Fahey in studio with Recording King guitar, c. 1970 While Fahey lived in Berkeley, Takoma Records was reborn through a collaboration with Maryland friend ED Denson.Fahey decided to track down blues legend Bukka White by sending a postcard to Aberdeen, Mississippi; White had sung that Aberdeen was his hometown, and Mississippi John Hurt had been rediscovered using a similar method.
American primitive guitar is a fingerstyle guitar music genre, developed by the American guitarist John Fahey in the late 1950s. While the term "American primitivism" has been used as a name for the genre, [1] American primitive guitar is distinct from the primitivism art movement.
Jesus Loves Me (subtitled Guitar Hymns) is an album by American fingerstyle guitarist and composer John Fahey, released in 1980. [1] It was Fahey's poorest selling release. [ 2 ]
CMJ New Music wrote that Fahey's "... newest work is slightly more subdued than last year's Let Go, but equally as radiant. A nimble-fingered master... A nimble-fingered master... Fahey has continually created profound expressions on the acoustic guitar, in a mystical yet intimate setting".
After 18 studio albums, Fahey released this live album from a concert in Tasmania, set up, according to the original liner notes, on a drunken whim. It was recorded on four days' notice at the University of Tasmania in 1980 when Fahey was touring Australia. [1] Four songs are re-titled from previously recorded versions.