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Minimal music (also called minimalism) [2] [3] is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units.
In visual arts, music and other media, minimalism is an art movement that began in the post-war era in Western art. The movement is often interpreted as a reaction to abstract expressionism and modernism; it anticipated contemporary post-minimal art practices, which extend or reflect on minimalism's original objectives. [1]
A harmonic motif is a series of chords defined in the abstract, that is, without reference to melody or rhythm. A melodic motif is a melodic formula, established without reference to intervals. A rhythmic motif is the term designating a characteristic rhythmic formula, an abstraction drawn from the rhythmic values of a melody.
Tony Smith, Free Ride, 1962, 6'8 × 6'8 × 6'8, Museum of Modern Art (New York City) Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a ...
Basic rhythm from Clapping Music by Steve Reich, which is played against itself. First in rhythmic unison, then with one part moved ahead by an eighth note, then another, and so on, till they are back together—an example of Nyman's process-type 4. First two patterns, abbreviated. Process music is music that arises from a process. It may make ...
Repetition is not repetition of identical elements, so it is not reproduction, but the repetition of the identical in another guise. In traditional music, repetition is a device for creating recognizability, reproduction for the sake of the music notes of that specific line and the representing ego.
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Lefebvre’s concept of rhythm concerns the repetition of a measure at a frequency. He identifies two kinds of rhythms: cyclical rhythms, which involve simple intervals of repetition, and alternating (or linear) rhythms. An example of a cyclical rhythm would be day fading into night, and night brightening into day; a linear rhythm might be the ...