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A year later, in 1988, Creative marketed the C/MS via Radio Shack under the name Game Blaster.This card was identical in every way to the precursor C/MS hardware. Whereas the C/MS package came with five floppy disks full of utilities and song files, Creative supplied only a single floppy with the basic utilities and game patches to allow Sierra Online's games using the Sierra Creative ...
Also known as Sound Blaster Audigy ADVANCED MB, it is similar to Audigy 2 SE, but the software supports EAX 3.0, which supports 64-channel software wavetable (sample-based synthesis) with DirectSound acceleration, but without hardware accelerated 'wavetable' sample-based synthesis. DAC is rated 95 dB Signal-to-Noise Ratio.
The audio processor on X-Fi was the most powerful at its time of release, offering an extremely robust sample rate conversion engine in addition to enhanced internal sound channel routing options and greater 3D audio enhancement capabilities. A significant portion of the audio processing unit was devoted to this resampling engine.
The audio processor on X-Fi was the most powerful at its time of release, offering an extremely robust sample rate conversion engine in addition to enhanced internal sound channel routing options and greater 3D audio enhancement capabilities. A significant portion of the audio processing unit was devoted to this resampling engine.
The Sound Blaster Live! 24-bit (SB0410) was not actually a member of the Sound Blaster Live! family, because it lacked the EMU10k1/10k2 processor. It was a stripped-down version of the Audigy Value, with an SNR of 100 dB, software based EAX, no advanced resolution DVD-Audio Playback, and no Dolby Digital 5.1 or Dolby Digital EX 6.1 playback.
The Sound Blaster VIBRA 16 was released as a cost-reduced, more integrated Sound Blaster 16 chipset targeting OEMs and the entry-level to mid-range markets. Some variants support Plug and Play for Microsoft Windows operating systems. It lacked separate bass, treble and gain control (except CT2502 chip), and an ASP/CSP socket.
The Sound Blaster was fully compatible with AdLib's hardware, and it also implemented two key features absent from the AdLib: a PCM audio channel and a game port. With additional features and better marketing, the Sound Blaster quickly overshadowed AdLib as the de facto standard in PC gaming audio.
It was a kind of electro-acoustic instrument, an acoustic instrument with additional electronic circuits for sound modification. The Magna Organ was an electric-fan driven free reed organ with the microphone sealed in a soundproof box, instead of the electrostatic pickups used on electrostatic reed organs .
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