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Battledore and shuttlecock, or jeu de volant, is a sport related to the professional sport of badminton. The game is played by two or more people using small rackets (battledores), made of parchment or rows of gut stretched across wooden frames, and shuttlecocks , made of a base of some light material, such as cork, with trimmed feathers fixed ...
The names attached to the pictures were generally suggested by the completed work, and rarely represented any preconceived idea in the artist's mind. Among them were such titles as A Painter's Tribute to Music, Shells, The Reader, Dreamers, Battledore, Shuttlecock, Azaleas. In so limited a sphere of art, Moore found his admirers among the few ...
List of pieces using polytonality and/or bitonality.. Samuel Barber. Symphony No. 2 (1944) [citation needed]; Béla Bartók. Mikrokosmos Volume 5 number 125: The opening (mm. 1-76) of "Boating", (actually bimodality) in which the right hand uses pitches of E ♭ dorian and the left hand uses those of either G mixolydian or dorian [1]
Games employing shuttlecocks have been played for centuries across Eurasia, [a] but the modern game of badminton developed in the mid-19th century among the expatriate officers of British India as a variant of the earlier game of battledore and shuttlecock. ("Battledore" was an older term for "racquet".) [4] Its exact
Dalcroze eurhythmics, also known as the Dalcroze method or simply eurhythmics, is a developmental approach to music education.Eurhythmics was developed in the early 20th century by Swiss musician and educator Émile Jaques-Dalcroze and has influenced later music education methods, including the Kodály method, Orff Schulwerk and Suzuki Method.
Feather shuttlecocks Plastic shuttlecock. A shuttlecock (also called a birdie or shuttle) is a high-drag projectile used in the sport of badminton. It has an open conical shape formed by feathers or plastic (or a synthetic alternative) embedded into a rounded cork (or rubber) base. The shuttlecock's shape makes it extremely aerodynamically ...
Tales and Songs from the Bible of Hell four singers with real-time electronic transformation and pre-recorded 4 track tape (1979) Trois Visages à Liège electronic music (1961) Votre Faust (1960–68), opera for five actors, four singers, twelve instruments, and electronic music, libretto by Michel Butor .
The Oxford Book of Tudor Anthems is a collection of vocal scores of music from the Tudor era of England (c.1550-1625). It was published in 1978 by Oxford University Press and was compiled by the organist and publisher Christopher Morris (1922-2014), the editor of OUP who also was involved with the popular Carols for Choirs series of books in the 1970s. [1]