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Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached ...
Style in men's and women's footwear was the same in this period. Shoes for men and women were flat, and often slashed and fastened with a strap across the instep. They were made of soft leather, velvet, or silk. Broad, squared toes were worn early, and were replaced by rounded toes in the 1530s.
Women of the merchant classes in Northern Europe wore modified versions of courtly hairstyles, with coifs or caps, veils, and wimples of crisp linen (often with visible creases from ironing and folding). A brief fashion added rows of gathered frills to the coif or veil; this style is sometimes known by the German name kruseler. [32]
A farthingale is one of several structures used under Western European women's clothing - especially in the 16th and 17th centuries - to support the skirts in the desired shape and to enlarge the lower half of the body. The fashion originated in Spain in the fifteenth century. Farthingales served important social and cultural functions for ...
Plus the big dresses!” (The period outfits are perhaps why viewers enjoy Tudor-set shows, too; as actor Edward Bluemel, who plays Lord Guildford Dudley in My Lady Jane tells T&C, “[The Tudors ...
The restored Altar Cloth in June 2019. The Bacton Altar Cloth is a 16th-century garment that is considered the sole surviving dress of Queen Elizabeth I.The cloth, embroidered in an elaborate floral design and made of cloth of silver, is an important relic of Tudor fashion and luxury trade, containing dyes from as far away as India and Mexico. [1]
Gable hood with pinned-up lappets and a hanging veil. Mary, Lady Guildford, by Hans Holbein the Younger, 1527.. A gable hood, English hood or gable headdress is an English woman's headdress of c. 1500–1550, so called because its pointed shape resembles the architectural feature of the same name.
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
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