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The classical ceramic decor is dominated mostly by Attic vase painting. Attic production was the first to resume after the Greek Dark Age and influenced the rest of Greece, especially Boeotia , Corinth , the Cyclades (in particular Naxos ) and the Ionian colonies in the east Aegean . [ 28 ]
Wedgwood devoted four years of painstaking attempts at duplicating the vase in black and white jasperware, which was finally completed in 1790, the figures perhaps modelled by William Hackwood. The replica was exhibited in London in that year, with the initial showing restricted to 1,900 tickets, which soon sold out.
White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
jugs and cups, several types of kylix also just called cups, kantharos, phiale, skyphos, rhyton, mastos, and jug-types oinochoe and loutrophoros, vases for oils, perfumes and cosmetics, including the large lekythos, and the small aryballos, alabastron, and askos.
This effect can be best achieved with a bright clay or coating. Thus, Christiana Köhler in her study of the Early dynastic pottery from Buto was able to identify bottles or jugs with a white coating or light, large-grained marl clay, as water containers. An opposite effect could be created with a dark overcoat.
Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. [1]
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