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Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful.
The ideal female skin color in Japan would be considered "tan" in the West. According to Ashikari, there is a widepread perception in Japan that European women's skin is less beautiful than Japanese women's, as White women's skin is stereotyped as being too pale, reddish, and roughly textured. [14]
White fur stoles are usually worn by young women on their Coming of Age Day, whereas other colours are likely to be worn by older women to keep warm. Futokorogatana Translating as "chest sword", a small dagger held in a small, decorative brocade-fabric purse tucked into the collar of a woman's wedding kimono. Similar to a kaiken.
The tsukisamu Japan chocolate, on the other hand, looked like a rich, fudgy brownie but was disappointingly dry and savory. And I couldn't eat the handmade yuzu sake candy because the packaging ...
Ohno is an ama diver, or a “sea woman” as they are known in Japan. For centuries, these traditional fisherwomen have lived off the riches of the waters around the Ise-Shima region, collecting ...
Wabi-sabi can be described as "the most conspicuous and characteristic feature of what we think of as traditional Japanese beauty. It occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West."
Kōjien defines bijin-ga as a picture that simply "emphasizes the beauty of women", [1] and the Shincho Encyclopedia of World Art defines it as depiction of "the beauty of a woman's appearance". [2] On the other hand, Gendai Nihon Bijin-ga Zenshū Meisaku-sen I defines bijin-ga as pictures that explore "the inner beauty of women". [ 3 ]
In the jiyūka (自由花, ' free flowers ') [27] style, creative design of flower arranging is emphasised, with any material permissible for use, including non-flower materials. In the 20th century, with the advent of modernism, the three schools of ikebana partially gave way to what is commonly known in Japan as "Free Style".