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Ancient Greek text did not mark word division with spaces or interpuncts, instead running the words together (scripta continua). In the Hellenistic period, a variety of symbols arose for punctuation or editorial marking; such punctuation (or the lack thereof) are variously romanized, inserted, or ignored in different modern editions.
The icon of Our Lady of the Sign (Greek: Παναγία Ορωμένη; Church Slavonic: Икона Божией Матери, "Знамение", romanized: Ikona Bozhey Materi, "Znamenie"; Polish: Ikona Bogurodzicy "Znamienie") or Platytera (Greek: Παναγία Πλατυτέρα, romanized: Panagia Platytera) is the term for a particular ...
The symbol was introduced in Greece as popular imagery from the mid-1980s, and after 1991, increasingly so in many new contexts in Greece. The Vergina Sun was widely adopted by Greek Macedonians as a symbol of Greek Macedonia. The Vergina Sun on a blue background became commonly used as an official emblem of the three administrative regions ...
In classical and late antiquity wreaths or crowns (Ancient Greek: στέφανος, romanized: stéphanos, lit. 'wreath', 'crown'; Latin: corona, lit. 'wreath', 'garland', 'chaplet') usually made of vegetation or precious metals were worn on ceremonial occasions and were awarded for various achievements. The symbolism of these different types ...
In Greek mythology, Limos (Ancient Greek: Λιμός, romanized: Līmós, lit. 'Famine, Hunger, Starvation') [1] is the personification of famine or hunger. Of uncertain sex, Limos was, according to Hesiod's Theogony, the offspring of Eris (Strife), with no father mentioned. [2]
ISO 7098:2015 (Romanization of Chinese) Transliterations. ISO 9:1995 ... ISO 843:1997 (Conversion of Greek characters into Latin characters) ISO 9984:1996 ...
In Greek mythology Smilax (/ s m ɪ. l ɑː k s /; Greek pronunciation:; Ancient Greek: Σμῖλαξ, romanized: Smílax, lit. 'bindweed' [1]) was the name of a nymph who was in love with Crocus [2] and was turned into the plant bearing her name (the bindweed). Ancient sources with information about her and her tale are few and far between.
The accents (Ancient Greek: τόνοι, romanized: tónoi, singular: τόνος, tónos) are placed on an accented vowel or on the last of the two vowels of a diphthong (ά, but αί) and indicated pitch patterns in Ancient Greek. The precise nature of the patterns is not certain, but the general nature of each is known.