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The idée fixe theme, which recurs in various guises in each of the five movements. The Symphonie fantastique is a piece of programme music that tells the story of a gifted artist who, in the depths of hopelessness and despair because of his unrequited love for a woman, has poisoned himself with opium. The piece tells the story of the artist's ...
Another significant model was given by Hector Berlioz in his programmatic Symphonie fantastique of 1830, whose "idée fixe" serves as a cyclic theme throughout the five movements. By the 1840s, the technique is already quite established, being found in several works by Robert Schumann , Fanny Hensel , Niels Gade , Franz Berwald , and the ...
5 Grande messe des morts (Requiem) 1837 5 December 1837 9 76 23 Benvenuto Cellini, opera semiseria 1836–38 10 September 1838 Libretto: L. de Wailly, A. Barbier and A. de Vigny 1 78 Aubade 1839 13 79 17 Roméo et Juliette, symphonie dramatique 1839 24 November 1839 18 80 15 Grande symphonie funèbre et triomphale: 1840 26 July 1840 19 81 7
Symphony No. 1 in D major, third movement (p. 91 of the UE score) first violins, divisi a 3, play col legno tratto, stroking the strings with the wood of their bows (Piston 1955, 22). Symphony No. 2 in C minor , first movement, bars 304–306, all the strings play col legno (some of the strings continue through 307), striking the wood of their ...
5: Symphonie Jahreszeiten: ... William Bergsma: 2: Voyages: 1976: Hector Berlioz: 1: Symphonie fantastique: Fantastic Symphony: ... The last movement was originally ...
A musical example of such irony can be found in the last movement of the Symphonie fantastique by Hector Berlioz which quotes the medieval (Gregorian) Dies Irae (Day of Judgment) melody in a shockingly modernistic manner. In 1830 Liszt attended the first performance of the symphony and was struck by its powerful originality.
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La Symphonie fantastique is a 1942 French drama film by Christian-Jaque [1] and produced by the German-controlled French film production company Continental Films. The film is based upon the life of the French composer Hector Berlioz. The title is taken from the five-movement programmatic Symphonie fantastique of 1830.