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The image LOVE was first created in 1964 in the form of a card which Robert Indiana sent to several friends and acquaintances in the art world. In 1965, he was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. [1] Indiana submitted several 12” square oil on canvas variations based on his LOVE ...
Christians believe that to love God with all your heart, mind, and strength and love your neighbor as yourself are the two most important things in life (the greatest commandment of the Jewish Torah, according to Jesus; cf. Gospel of Mark 12:28–34). Saint Augustine summarized this when he wrote "Love God, and do as thou wilt." [51]
It represents the god Cupid in the height of love and tenderness, immediately after awakening the lifeless Psyche with a kiss. The story of Cupid and Psyche is taken from Lucius Apuleius' Latin novel The Golden Ass, [2] and was popular in art. Joachim Murat acquired the first or prime version (pictured) in 1800.
Scattered around are the emblems of all human endeavors – violin and lute, armor, coronet, square and compasses, pen and manuscript, bay leaves, and flower, tangled and trampled under Cupid's foot. The painting illustrates the line from Virgil's Eclogues, Omnia Vincit Amor et nos cedamus amori ("Love conquers all; let us all yield to love ...
The title of the new album Gassa d'amante (English: Bowline; it can also be translated as "lovers' loop") refers to the sea knot and symbolizes the strong and at the same time easily untangled nature of love. The album explores the twists and turns of love in all its beauty and complexity.
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The subtext is the ending of Burne-Jones' four-year love affair with his model Maria Zambaco. She attempted to commit suicide in the Regent's Canal in 1869 after he attempted to end their affair. The work depicts two lovers in blue robes, a man and a woman, seated together on a stone capital amid the ruins of buildings.
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