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The contralto singing voice has a vocal range that lies between the F below "middle C" (F 3) to two Fs above middle C (F 5) and is the lowest type of female voice.In the lower and upper extremes, some contralto voices can sing from two Bs below middle C (B 2) [1] to two B ♭ s above middle C (B ♭ 5).
The term baritone was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.
Vocal range plays such an important role in classifying singing voices into voice types that sometimes the two terms are confused with one another. A voice type is a particular kind of human singing voice perceived as having certain identifying qualities or characteristics; vocal range being only one of those characteristics.
[3] [4] [5] Brooke said the song was originally written for a male voice. They changed the key to fit a female voice, Brooke raising it "like two keys higher". [4] After fine-tuning the song, executives from her record label then recommended adding rapper Tyga to the song. [4] Brooke began teasing the release of the single in the beginning of ...
Greek Ode, for voice and piano (1932) First Chapter of Ecclesiastes (The Preacher), for voice and piano (1932, possibly incomplete) Three Easy Pieces (1. Round in A minor, 2. Duo in G major, 3. Infinite canon in F minor), for piano (1933) Three Songs for voice and piano, (1932–33) Sonata for Clarinet (1933)
The album's actually for the most part a typical, if low-key, Byrd session... When played just by the trio, it's fine, with sterling Byrd guitar, though the less sappy and more forceful material (like "Wildcat") overshadows the more conventional romantic standards. When those voices enter, though, it treads on the annoyingly saccharine. [2]
Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
Basso profondo (Italian: [ˈbasso proˈfondo], "deep bass"), sometimes basso profundo or contrabass, is the lowest bass voice type.. While The New Grove Dictionary of Opera defines a typical bass as having a range that extends downward to the second E below middle C (E 2), [1] operatic bassi profondi can be called on to sing low C (C 2), as in the role of Baron Ochs in Der Rosenkavalier.
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