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Twentieth-century theatre describes a period of great change within the theatrical culture of the 20th century, mainly in Europe and North America. There was a widespread challenge to long-established rules surrounding theatrical representation; resulting in the development of many new forms of theatre, including modernism, expressionism, impressionism, political theatre and other forms of ...
Conceptualised by 20th century German director and theatre practitioner Bertolt Brecht (1898–1956), "The Modern Theatre Is the Epic Theatre" is a theoretical framework implemented by Brecht in the 1930s, which challenged and stretched dramaturgical norms in a postmodern style. [1] This framework, written as a set of notes to accompany Brecht ...
Realism was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. 19th-century realism is closely connected to the development of modern drama, which "is usually said to have begun in the early 1870s" with the "middle-period" work of the Norwegian dramatist Henrik Ibsen ...
Long Day's Journey into Night [1] Waiting for Godot [2] Who's Afraid of Virginia Woolf? [2] The Caretaker [3] A Streetcar Named Desire [4] List of modernist playwrights
Expressionism in theatre and drama has also experienced success in China and Spain. Notably, The Wilderness (play) by Cao Yu and Yama Zhao by Hong Shen were frequently produced in the 1920s and 1930s in China. Expressionism in Chinese theatre has recently experienced a resurgence in popularity since the 1980s. [7]
Marlowe (1564–1593) was born only a few weeks before Shakespeare and must have known him. Marlowe's subject matter is different from Shakespeare's as it focuses more on the moral drama of the renaissance man than any other thing. Marlowe was fascinated and terrified by the new frontiers opened by modern science.
In 1940, he was elected President of the Modern Language Association; he received several honorary doctorates and prizes, among them the Gollancz Memorial Prize in 1941. Young's research on what he called "liturgical drama" began with a publication in 1908; he relied heavily on Charles Magnin's notion that modern European theatre performance ...
Jacob Thomas "Jack" Grein (generally referred to as J. T. Grein; 11 October 1862 – 22 June 1935) was a British impresario and drama critic of Dutch origin who helped establish the modern theatre in London. [1]