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Card manipulation is the branch of magical illusion that deals with creating effects using sleight of hand techniques involving playing cards. Card manipulation is often used to perform card tricks in magical performances, especially in close-up, parlor, and street magic. A person who practices card manipulation may be called a card sharp, card ...
Bottom right: Mixing the cards allows for card trick preparation. Card manipulation, commonly known as card magic, is the branch of magic that deals with creating effects using sleight of hand techniques involving playing cards. Card manipulation is often used in magical performances, especially in close-up, parlor, and street magic.
This article contains a list of magic tricks. In magic literature, tricks are often called effects . Based on published literature and marketed effects, there are millions of effects; a short performance routine by a single magician may contain dozens of such effects.
One basic trick involves a spectator choosing a card from the deck and returning it; the card can then appear practically anywhere in the deck, making tricks like the Ambitious Card incredibly simple. The final and most stunning trick is when all the cards are suddenly presented as being all the same as the initially chosen card.
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A direct continuation to the series' first entry published in 1984 with the title More Self-Working Card Tricks, and an entry on paper magic followed in 1985. The series would return in 1989 with two entries covering handkerchief and coin magic, an entry about rope tricks in 1990, and then conclude in 1995 with Self-Working Close-up Card Magic.
Cardistry is the art of card flourishing, and is intended to be visually impressive and to give the appearance of being difficult to perform. [10] Card flourishing is often associated with card tricks, but many sleight of hand artists perform flourishing without considering themselves magicians or having any real interest in card tricks. [10]
The performer takes a deck of cards, and places on the table two face-up "marker" cards, one black and one red; the black on the left and the red on the right.The performer tells the spectator that he or she is going to deal cards face-down from the deck and the object of the exercise is for the subject to use their intuition to identify whether each card in the deck is black or red.
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