Search results
Results from the WOW.Com Content Network
Sanyo Micro-Pack 35 tape recorder showing cassette being inserted. The Sanyo Micro Pack 35 was a portable magnetic audio tape recording device, developed by Sanyo in 1964, that employed a special tape cartridge format with tape reels atop each other. [1] The unit was rebadged and sold as the Channel Master 6546 [2] and the Westinghouse H29R1. [3]
Its cartridges, resembling larger versions of the later VHS cassettes, used 3/4-inch (1.9 cm)-wide tape and had a maximum playing time of 60 minutes, later extended to 80 minutes. Sony also introduced two machines (the VP-1100 videocassette player and the VO-1700, also called the VO-1600 video-cassette recorder) to use the new tapes.
The Compact Cassette, also commonly called a cassette tape, [2] audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips , the Compact Cassette was released in August 1963.
The mechanically complicated recorders themselves also proved somewhat unreliable. One particularly common failing occurred should tape slack develop within the cassette; the tape from the top (takeup) spool may droop into the path of the bottom (supply) spool and become entangled in it if rewind was selected.
A reel-to-reel tape recorder from Akai, c. 1978. An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage.
The first consumer tape recorder to employ a tape reel permanently housed in a small removable cartridge was the RCA tape cartridge, which appeared in 1958 as a predecessor to the cassette format. At that time, reel-to-reel recorders and players were commonly used by enthusiasts but required large individual reels and tapes which had to be ...
Studer AG, a privately owned Swiss manufacturer of professional audio equipment, began development of high fidelity cassette recorders in late 1970s. Willi Studer was reluctant to diversify into the highly competitive cassette deck market; for most of the decade, the company's experience in cassette technology was limited to reliable but low-fidelity classroom equipment.
Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8 or even 16 tracks on the same tape width (8 tracks for greater fidelity. Scully 280 eight-track recorder at the Stax Museum of American Soul Music Digital audio interface for the Pro Tools computer-based hard disk multitrack recording system ...