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B.B. King and Muddy Waters, with the most standards on the charts at five each, [8] used electric blues-ensemble arrangements. Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk ...
Swamp blues has a laid-back, slow tempo, and generally is a more rhythmic variation of Louisiana blues, incorporating influences from New Orleans blues, zydeco, soul music and Cajun music. [3] It is characterized by simple but effective guitar work and is influenced by the boogie patterns used on Jimmy Reed records and the work of Lightnin ...
Whatever combination of guitar and pickup was used in his slide guitar opening, Elmore James created the most recognizable guitar riff in the history of the blues". [ 47 ] "Dust My Broom" is a blues standard and is especially popular among slide guitarists .
The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1] In the following examples each box represents a 'bar' of music (the specific time signature is not relevant).
"Hide Away" or "Hideaway" is a blues guitar instrumental that has become "a standard for countless blues and rock musicians performing today". [1] First recorded in 1960 by Freddie King, the song became a hit on the record charts. It has been interpreted and recorded by numerous blues and other musicians and has been recognized by the Rock and ...
An early performance with Hendrix on vocal and guitar, which follows James' version, was recorded with Curtis Knight and the Squires in 1965 or 1966. In 1968, a live version of the song was recorded at a jam session at the Scene Club in New York and later released on several bootleg and gray-market albums, including Bleeding Heart .
All these songs use twelve-bar blues riffs, and most of these riffs probably precede the examples given (Covach 2005, p. 71). In classical music, individual musical phrases used as the basis of classical music pieces are called ostinatos or simply phrases. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin ...
Hill country blues (also known as North Mississippi hill country blues or North Mississippi blues) is a regional style of country blues.It is characterized by a strong emphasis on rhythm and percussion, steady guitar riffs, few chord changes, unconventional song structures, and heavy emphasis on the "groove", which has been characterized as the "hypnotic boogie".