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Ramosa and Nkabinde joined them, and they developed a unique sound: Unlike earlier kwela groups, they incorporated guitar and vocal harmony. The "jive flute" in the name Elias and His Zig-Zag Jive Flutes is the penny whistle. [2] In 1956, the four were signed to EMI South Africa by the label's "black music" record producer, Rupert Bopape. [2]
The low cost of the tin whistle, or jive flute, made it an attractive instrument in the impoverished, apartheid-era townships; the Hohner tin whistle was especially popular in kwela performance. The kwela craze accounted for the sale of more than one million tin whistles.
"Tom Hark" is an instrumental South African kwela song from the 1950s, believed to have been composed by Jack Lerole. [1] The song was arranged for penny whistle and first recorded by Elias and His Zig-Zag Jive Flutes – a South African band formed by pennywhistlers Jack and his brother Elias Lerole – and released in 1956. [1]
Kwela is a pennywhistle-based street music from southern Africa [1] with jazzy underpinnings and a distinctive, skiffle-like beat.It evolved from the marabi sound and brought South African music to international prominence in the 1950s.
The first major style of South African popular music to emerge was pennywhistle jive (later known as kwela). Black cattle-herders had long played a three-holed reed flute, adopting a six-holed flute when they moved to the cities.
He continued to record, however, and produced such hits as "Cherry Beat", "Big Voice Jack", "Tully La Fluter" and "Bongo Twang Jive". He flitted from company to company, rejoining his old producer Rupert Bopape now at Gallo Africa's Mavuthela Music Company along the way (for two years – 1966 to 1968). His music career revived in the 1970s ...
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Tales of a Courtesan (Oirantan) is the third recording of the Toshiko Akiyoshi – Lew Tabackin Big Band.It is also sometimes referred to by the title HANA KAI TAN (花魁譚) in rōmaji listings of the Japanese album title.
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