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Op. 117 [JS 185] Suite for Violin-solo with accomp. of strings". [ 7 ] Fischer responded to Sibelius on 7 September 1929: "We must reluctantly inform you that in view of the extremely unfortunate constellation in the music publishing field in the United States, it seems to us inadvisable at the present time to publish compositions of the high ...
Fratres for violin, string orchestra, and percussion (1992) Darf ich... for violin, bells, and string orchestra (1995/1999) Walter Piston. Fantasia (1970) Nikolai Rakov. Concertino in D minor for violin and string orchestra (1960) Maurice Ravel. Tzigane (1924) Steve Reich. Duet for Two Violins and String Orchestra (1993) Wolfgang Rihm. Coll ...
A string orchestra is an orchestra consisting solely of a string section made up of the bowed strings used in Western Classical music. The instruments of such an orchestra are most often the following: the violin, which is divided into first and second violin players (each usually playing different parts), the viola, the cello, and usually, but not always, the double bass.
Capriccio for Harp and String Orchestra; Capriol Suite; Celtic Voices and Hale Bopp; Concerto for Double String Orchestra (Tippett) Concerto for Piano, Violin and Strings (Mendelssohn) Concerto for Two Violins (Bach) Concerto for Two Violins and String Orchestra (Arnold) Concerto for Violin and Strings (Mendelssohn) Concerto funebre
Opus 80: String Quartet No. 9 (1963) Opus 81: Symphony No. 7 in C major for strings and harpsichord (1964) Opus 82: Sonata No. 1 for violin solo (1964) Opus 83: Symphony No. 8 Flowers of Poland after J. Tuwim for tenor, mixed chorus and orchestra (1964) Opus 84: Oh, Grey Fog, romance after J. Tuwim for bass and piano (1964)
The Serenade, after Plato's Symposium, is a composition by Leonard Bernstein for solo violin, strings and percussion. He completed the serenade in five movements on August 7, 1954. [ 1 ] For the serenade, the composer drew inspiration from Plato 's Symposium , a dialogue of related statements in praise of love, each statement made by a ...
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His article entitled "Polyphony in Bach's Works for Solo Violin," published in 1967 in the Music Review, Vol. 28, No. 4, provides evidence that Bach wanted certain chords in his solo violin suites played without arpeggiation. [8] In 1998 Rudolf Gaehler recorded all Sonatas and Partitas for violin solo by Johann Sebastian Bach using a curved bow ...
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