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Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
The wallpaper depicts a Chinese garden with birds with distinctive plumages and butterflies as well as fruit trees and shrubs. The decorative scheme of the wallpaper is divided between two borders; the upper has tall green jars and hanging baskets with magnolias and peonies, the lower border features wading birds and tall lotus plants.
Chinoiserie in fashion refers to the any use of chinoiserie elements in fashion, especially in American and European fashion. Since the 17th century, Chinese arts and aesthetic were sources of inspiration to European artists, creators, [1]: 52 and fashion designers when goods from oriental countries were widely seen for the first time in Western Europe.
Chinoiserie media included imitations of lacquer and painted tin (tôle) ware that imitated japanning, early painted wallpapers in sheets, and ceramic figurines and table ornaments. Small pagodas appeared on chimneypieces and full-sized ones in gardens.
Hand-painted Chinese wallpaper showing a funeral procession, made for the European market, c. 1780. In 1712, during the reign of Queen Anne, a wallpaper tax was introduced which was not abolished until 1836. By the mid-18th century, Britain was the leading wallpaper manufacturer in Europe, exporting vast quantities to Europe in addition to ...
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