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Cut Piece 1964 is a pioneer of performance art and participatory work first performed by Japanese American multimedia avant-garde artist, musician and peace activist Yoko Ono on July 20, 1964, at the Yamaichi Concert Hall in Kyoto, Japan. [1]
Ono had a second engagement at the Carnegie Recital Hall in 1965, in which she debuted Cut Piece. [33] In September 1966, Ono visited London to meet artist and political activist Gustav Metzger's Destruction in Art Symposium in September 1966.
The relationship between Ceiling Painting/Yes Painting and Ono's 1964 work Cut Piece was extensively critiqued by James M. Harding in his essay "Between Material and Matrix: Yoko Ono's Cut Piece and the Unmaking of Collage" in his 2012 book of essays, Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde. [7]
Cut Piece, a performance piece by Yoko Ono in which the audience is invited to cut off her clothing. This version was staged at Carnegie Recital Hall, New York, 21 March 1965. This version was staged at Carnegie Recital Hall, New York, 21 March 1965.
IN FOCUS: Few cultural figures are so polarising as Yoko Ono, who has been mocked as a hanger-on and dismissed as charlatan since her notorious marriage to John Lennon. As a major new exhibition ...
Connected with Yoko Ono's Cut Piece (1964), the "real gaze" from the male audience may not be seen through the third perspective, yet we can perceive their actions by seeing male audiences cutting off pieces of fabric from Ono's suit. There has been various discussionby scholars of feminism studies about the "male gaze" on female performances ...
Before there was John and Yoko — and after — there was just Yoko Ono. The Japanese-American artist became a global celebrity through her marriage to John Lennon, her partner for more than a ...
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