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Potters occasionally substituted manganese or iron oxide for cobalt oxide to produce brown, instead of blue, decorations on the pottery. In the last half of the 19th century, potters in New England and New York state began producing stoneware with elaborate figural designs such as deer, dogs, birds, houses, people, historical scenes and other ...
Palissy's distinctive style of polychrome lead-glazed earthenware [1] in a sombre earth-toned palette, using naturalistic scenes of plants and animals cast from life, [2] was much imitated by other potters both in his own lifetime and especially in the 19th century. In this revival, pottery in Palissy's style was produced by Charles-Jean ...
Ironstone china, ironstone ware or most commonly just ironstone, is a type of vitreous pottery first made in the United Kingdom in the early 19th century. It is often classed as earthenware [ 1 ] [ 2 ] although in appearance and properties it is similar to fine stoneware . [ 3 ]
Jasperware's composition varies but according to one 19th-century analysis it was approximately: 57% barium sulphate, 29% ball clay, 10% flint, 4% barium carbonate. Barium sulphate ("cawk" or "heavy-spar") was a fluxing agent and obtainable as a by-product of lead mining in nearby Derbyshire .
Secondly, from mid- to late 19th century, majolica was made by a simpler process [4] (painting and then firing) whereby coloured lead silicate glazes were applied directly to an article, then fired. This resulted in brightly coloured, hard-wearing, inexpensive wares that were both useful and decorative, often with a naturalistic style.
Type C painted vase by Eugène Schopin, France, late 19th century. The second technique is a term for slipcasting, "couler en barbotine" in French."Barbotine pottery" is sometimes used for Ancient Roman as well as 19th-century French and American pottery with added slipcast decoration.
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