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Among the famous communication drums are the drums of West Africa (see talking drum). From regions known today as Nigeria and Ghana they spread across West Africa, and to the America and the Caribbean during the slave trade. There they were banned because they were being used by the slaves to communicate over long distances in a code unknown to ...
Museum for African Art, New York 1993, ISBN 3791312308. Gary van Wyk: Patterns of Possession : An Art of African Habitation. UMI Dissertation Services, Ann Arbor, MI, 1996. Gary van Wyk: African painted houses : Basotho dwellings of Southern Africa. Abrams, New York 1998, ISBN 0-8109-1990-7. Paul Changuion: The African mural.
The Xhosa people(/ ˈ k ɔː s ə / KAW-sə, / ˈ k oʊ s ə / KOH-sə; [2] [3] [4] Xhosa pronunciation: [kǁʰɔ́ːsa] ⓘ) are a Bantu ethnic group and tribe that originated in Southern African or migrated over centuries into Southern Africa eventually settled in South Africa South Africa.
This drum makes the highest pitched sound in the ensemble. The most popular African drums include the Djembe, Dundun, Bata, and Bougarabou just to highlight a few. Djembe means " everyone gather together in peace" according to Mali people. Throughout Central and South Africa, ngoma ceremonies are used to assist in healing during ceremonies.
Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another. [1] [2] [3] The transmission is through speech or song and may include folktales, ballads, chants, prose or poetry.
Cultural practice is the manifestation of a culture or sub-culture, especially in regard to the traditional and customary practices of a particular ethnic or other cultural groups. The term is gaining in importance due to the increased controversy over "rights of cultural practice", which are protected in many jurisdictions for indigenous ...
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South Africa's unique social and political history has generated a rich variety of literatures, with themes spanning pre-colonial life, the days of apartheid, and the lives of people in the "new South Africa". Many of the first black South African print authors were missionary-educated, and many wrote in either English or Afrikaans.