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Especially well-known and effective internationally was the series of figurines created for a 1947 L'Oréal campaign by French advertising photographer Lucien Lorelle for which the model known only as 'Suzy B', became "Miss Ambre Solaire"; a life-size cut-out of her bikini-clad and tanned body stood at the entrance of the shops and pharmacies ...
A man takes the place of Lisa del Giocondo in the Mona Lisa using a photo stand-in The back of a photo stand-in. A photo stand-in (also called a face-in-hole, face in the hole board, or photo cutout board) is a large board with an image printed on it and that has one or more holes cut out where people can stick their face through the board for humorous effect. [1]
The Lansdowne portrait is an iconic life-size portrait of George Washington painted by Gilbert Stuart in 1796. It depicts the 64-year-old president of the United States during his final year in office. The portrait was a gift to former British Prime Minister William Petty, 1st Marquess of Lansdowne, and spent more than 170 years in England.
It’s a relief to come upon an extraordinary group of roughly life-size pictures of light falling across the exterior stucco wall of Barth's home studio. These monumental photographs, each more ...
Usually stencilled art is life-size, using body parts as the stencil, but the 17 images of designs of human figures, boomerangs, animals such as crabs and long-necked turtles, wavy lines and geometric shapes are very rare.
The Two Ways of Life, a moralistic photo montage of Rejlanders own work, 1857-a choice between vice (at left) and virtue (at right) Robinson's Fading Away (1858) The first and most famous mid-Victorian photomontage (then called combination printing ) was "The Two Ways of Life" (1857) by Oscar Rejlander , [ 3 ] followed shortly thereafter by the ...
Silhouette pictures could easily be printed by blocks that were cheaper to produce and longer lasting than detailed black and white illustrations. Silhouette pictures sometimes appear in books of the early 20th century in conjunction with colour plates. (The colour plates were expensive to produce and each one was glued into the book by hand.)
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