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Sonnet 116 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
This poem is written with an apparently artless spontaneity and lack of sophistication which, it has been argued, conceals "a complex and sure art". [14] [15] It may actually be the lyric of a song, but this cannot be proved since no music for it survives; [16] at any rate, with the poem's rhythmic and melodic qualities it is eminently singable.
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Love Is Not All: It Is Not Meat nor Drink is a 1931 poem by Edna St. Vincent Millay, written during the Great Depression. [1]The poem was included in her collection Fatal Interview, a sequence of 52 sonnets, appearing alongside other sonnets such as "I dreamed I moved among the Elysian fields," and "Love me no more, now let the god depart," rejoicing in romantic language and vulnerability. [2]
The first book of collected poems after Hill's spiritual epic, consisting of "Triumph of Love", "Speech, Speech!", and "The Orchards of Syon" - a tragedic triad which may include "Scenes from Comus" as either a comic or at least distanced work in a four-part movement - Hill considers the appetite itself of making poetry.
Roy Croft (sometimes, Ray Croft) is a pseudonym frequently given credit for writing a poem titled "Love" that begins "I love you not only for what you are, but for what I am when I am with you." [1] The poem, which is commonly used in Christian wedding speeches and readings, is quoted frequently. The poem is actually by Mary Carolyn Davies. [2]
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The Iraiyanar Akapporul in its present form is a composite work, containing three distinct texts with different authors. These are sixty nūṟpās which constitute the core of the original Iraiyanar Akapporul, a long prose commentary on the nūṟpās, and a set of poems called the Pāṇṭikkōvai which are embedded within the commentary.