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An Allegory of Immortality, c. 1540. Monster derives from the Latin monstrum, itself derived ultimately from the verb moneo ("to remind, warn, instruct, or foretell"), and denotes anything "strange or singular, contrary to the usual course of nature, by which the gods give notice of evil," "a strange, unnatural, hideous person, animal, or thing," or any "monstrous or unusual thing ...
The Japanese word kaijū originally referred to monsters and creatures from ancient Japanese legends; [3] it earlier appeared in the Chinese Classic of Mountains and Seas. [4] There are no traditional depictions of kaijū or kaijū -like creatures among the yōkai of Japanese folklore , [ 5 ] although it is possible to find megafauna in their ...
A different story tells of a golem that fell in love, and when rejected, became the violent monster seen in most accounts. Some versions have the golem eventually going on a murderous rampage. [ 20 ] The rabbi then managed to pull the shem from his mouth and immobilize him [ 11 ] in front of the synagogue, whereupon the golem fell in pieces. [ 11 ]
In "The Call of Cthulhu", H. P. Lovecraft describes a statue of Cthulhu as: "A monster of vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind."
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The Oxford English Dictionary gives the origin of the word as Central African and compares it to the Kongo words "nzambi" (god) and "zumbi" (fetish). [ 13 ] [ 14 ] A Kimbundu -to-Portuguese dictionary from 1903 defines the related word nzumbi as soul, [ 15 ] while a later Kimbundu–Portuguese dictionary defines it as being a "spirit that is ...
Leviathan the sea-monster, with Behemoth the land-monster and Ziz the air-monster. "And on that day were two monsters parted, a female monster named Leviathan, to dwell in the abysses of the ocean over the fountains of the waters. But the male is named Behemoth, who occupied with his breast a waste wilderness named Duidain."
However, the wife discovers that the "princess" is in fact a female ghoul (simply referred to as a "monster" in the Britannica adaptation) who is planning to eat the woodcutter and his family. After narrowly escaping the ghoul's attempts to eat them, the wife and her children flee the palace in the night and leave the woodcutter to be devoured ...