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Many groups of traditional music artists like Tre Xanh, Phu Dong, have been sent abroad to participate in cultural festivals or to conduct concerts to the exiled Vietnamese. Though within the country, the emphasis has leaned more on Vietnamese popular music, as young singers turning toward the West. Costumes they dressed on stages are more ...
Nhạc đỏ or literally Red Music is the common name of the revolutionary music (nhạc cách mạng) genre in Vietnam. [1] Red Music was formed during the communist Việt Minh and the First Indochina War and later strongly promoted across communist North Vietnam during the Vietnam War, to urge Northerners to achieve reunification under the Workers' Party of North Vietnam and fight against ...
Trịnh Công Sơn (February 28, 1939 – April 1, 2001) was a Vietnamese musician, songwriter, painter and poet. [1] [2] He is widely considered to be Vietnam's best songwriter.
Huỳnh Minh Hưng, commonly known by his stage name Đàm Vĩnh Hưng (born 2 October 1971 [citation needed]), often referred to by his nickname Mr. Dam, [citation needed] is a Vietnamese singer.
With this rich cultural heritage, Panama has contributed significantly to the development of Cumbia, Decima, Panamanian saloma, Pasillo, Panamanian bunde, bullerengue, Punto Music, Tamborito, Mejorana, Panamanian Murga, Tamborera (Examples: Guarare and Tambor de la Alegria), bolero, jazz, Salsa, reggae and calypso, through composers like ...
Quang Lê was born in Vietnam, 1975), with family roots from Central Vietnam in the City of Huế. [1] His Vietnamese accent is “Huế (central accent),” one of the main Vietnamese dialects in Vietnam, but he is able to imitate the southern accent, and he sings with a mixed accent.
The bolero-son: long-time favourite dance music in Cuba, captured abroad under the misnomer 'rumba'. The bolero-mambo in which slow and beautiful lyrics were added to the sophisticated big-band arrangements of the mambo. The bolero-cha, 1950s derivative with a chachachá rhythm. The bachata, a Dominican derivative developed in the 1960s.
Most salsa music is played with one of the son claves, though a rumba clave is occasionally used, especially during rumba sections of some songs. As an example of how a clave fits within the 8 beats of a salsa dance , the beats of the 2-3 Son clave are played on the counts of 2, 3, 5, the "and" of 6, and 8.