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The five-paragraph essay is a format of essay having five paragraphs: one introductory paragraph, three body paragraphs with support and development, and one concluding paragraph. Because of this structure, it is also known as a hamburger essay , one three one , or a three-tier essay .
[5] Sukumar Azhikode defined a short story as "a brief prose narrative with an intense episodic or anecdotal effect". [3] Flannery O'Connor emphasized the need to consider what is exactly meant by the descriptor short. [7] Short story writers may define their works as part of the artistic and personal expression of the form.
An essay is, generally, a piece of writing that gives the author's own argument, but the definition is vague, overlapping with those of a letter, a paper, an article, a pamphlet, and a short story. Essays have been sub-classified as formal and informal: formal essays are characterized by "serious purpose, dignity, logical organization, length ...
Short story: the boundary between a long short story and a novella is vague, [36] although a short story commonly comprises fewer than 7,500 words Novella: typically, 17,500 to 40,000 words in length; examples include Robert Louis Stevenson 's Strange Case of Dr Jekyll and Mr Hyde (1886) or Joseph Conrad 's Heart of Darkness (1899) [ 37 ]
Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. [2] Story structures can vary culture to culture and throughout history. The same named story structure may also change over time as the culture also changes.
The fabula (story) is what happened in chronological order. In contrast, the syuzhet (plot) means a unique sequence of discourse that was sorted out by the (implied) author. That is, the syuzhet can consist of picking up the fabula events in non-chronological order; for example, fabula is a 1, a 2, a 3, a 4, a 5, ..., a n , syuzhet is a 5, a 1 ...
Austen's conversations contain many short sentences, question and answer pairs, and rapid exchanges between characters, most memorable perhaps in the witty repartee between Elizabeth and Darcy. [27] This has made Austen's fiction popular in quoted snippets and in books of quotation.
[7] In the 1920s flash fiction was referred to as the "short short story" and was associated with Cosmopolitan magazine, and in the 1930s, collected in anthologies such as The American Short Short Story. [8] Somerset Maugham was a notable proponent, with his Cosmopolitans: Very Short Stories (1936) being an early collection.