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Richard Scott (born 14 December 1968, Middlesbrough, England) is a South African artist, residing in Cape Town and well known for the phrase Naive meets Pop art to describe his unique take on Art. He is very well known for his art both in South Africa and internationally.
High-backed stool, Kami ethnic group, late 19th century, Musée des Confluences, Lyon Tanzania. Masterworks of African Skulpture (German: Tanzania. Meisterwerke afrikanischer Skulptur; Swahili: Sanaa za Mabingwa wa Kiafrika) was an art exhibition of traditional African sculptures originating from the mainland region of modern Tanzania.
The African Artists' Foundation (AAF) is a non-profit organization, based in Lagos, Nigeria. [1] It was founded in 2007 by Azu Nwagbogu, as a platform for contemporary African art and artists working across photography, fine art, video, ceramics, sculpture, performances, writing and curation. [2]
For instance, the Art and Religion room showed "classic" African ceremonial sculpture alongside kitschy Buddhist and Christian objects, as if to group the types together as poor representations of their respective cultures. [5] Gaba saw the work as correcting lacks of art education in Africa and African art representation outside the continent. [4]
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
Modern Makonde art is an integration of dated practices of woodwork met with a demand of artistic woodcarving of the modernized world. After the introduction of road systems in the plateaus between Tanzania and Mozambique by Portuguese troops during World War I, the traditional sense of the practice began to shift to meet new social and economic demands. [3]
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The Contemporary African Art Collection (CAAC) is a private collection created in 1989 by Jean Pigozzi, an Italian businessman, after his encounter with French independent curator, André Magnin. Magnin specializes in art from non-Western cultures, and especially sub-Saharan art.
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