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He writes poetry and short stories for children and is engaged in literary translation. His critical essays on language and literature have been published in national and international journals such as Kritika Kultura, Philippine Studies, Unitas, Tomas Literary Journal, Bulawan Journal of Arts and Culture, Daluyan, Loyola Schools Review, Katipunan Journal, Hasaan, and the Malay Indonesian Studies.
Hiligaynon is the leading Ilonggo weekly magazine published in the Philippines since 1934. It contains Ilonggo serialized novels, short stories, poetry, serialized comics, essays, news features, entertainment news and articles, and many others.
Nick Joaquin, National Artist of the Philippines for Literature. The American occupation and colonization of the Philippines led to the rise of "free verse" poetry, prose, and other genres. English became a common language for Filipino writers, with the first English novel written by a Filipino being the Child of Sorrow (1921).
She was the coordinator for the Filipino and Philippine Literature Program. Her most recent publications were "Balada ni Lola Amonita" and "The Ballad of Lola Amonita" in Babaylan: An Anthology of Filipina and Filipina American Writers, edited by Nick Carbó and Eileen Tabios and published by Aunt Lute Books in the year 2000.
J. Neil Carmelo Garcia is a Filipino writer, professor, and cultural critic. He is currently a professor of English, Creative Writing, and Comparative Literature at the University of the Philippines Diliman and is known for his works on queer studies and gay culture in the Philippines.
The UP Diksiyonaryong Filipino (UPDF; "UP Filipino Dictionary") is a series of monolingual Filipino dictionaries. The dictionaries were created by the Sentro ng Wikang Filipino of the University of the Philippines, with Virgilio S. Almario, National Artist for Literature and a professor at the University of the Philippines Diliman, as editor-in-chief.
Stainless Longganisa is a semi-autobiographical book written by Bob Ong, his fifth published work. Released in December 2005 by Visprint, it follows the style used in Bob Ong's first three publications: the use of contemporary Filipino language to express the author's views on Filipino culture. Unlike the first three books, however, it mainly ...
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