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Sonnet 17 is an English or Shakespearean sonnet, consisting of three quatrains followed by a couplet. It follows the form's typical rhyme scheme: abab cdcd efef gg. Sonnet 17 is written in iambic pentameter, a form of meter based on five pairs of metrically weak/strong syllabic positions. The sonnet's fourth line exemplifies a regular iambic ...
When Love Speaks is a compilation album that features interpretations of William Shakespeare's sonnets – some spoken, some set to music – and excerpts from his plays by famous actors and musicians, released under EMI Classics in April 2002.
Charles Baudelaire's poem "Paysage" was turned into a song by the group Les Colocs; The album No Promises by Carla Bruni also includes works by W. H. Auden, Dorothy Parker, and Walter de la Mare; John Adams' Harmonium begins with a setting of "Negative Love" by John Donne
Charles Edward Parker was born on August 25, 1836, in Owego, New York, to Catherine Ann (née Pumpelly) and John Mason Parker. His father was a member of the U.S. Congress and a New York Supreme Court justice. His grandfather John C. Parker was also a New York Supreme Court justice. [1] [2] He graduated Hobart College in 1857.
A Modern Jazz Symposium of Music and Poetry is an album by the jazz bassist, composer, and band leader Charles Mingus, released by Bethlehem Records in mid-1959. [ 1 ] [ 2 ] In spite of the title, the album does not contain any poetry. [ 3 ] "
Although some of the wording has been altered slightly, this poem appears to be "a somewhat mutilated copy of Chaucer's ballad on 'Truth ' ". [9] Thomas Vaux: one of his only two poems from the miscellany is misquoted in Shakespeare's Hamlet. This is a sample of a poem found in the text by Sir Thomas Wyatt:. [5]
Only two days after Intensity was recorded at Rudy Van Gelder's Englewood Cliffs, New Jersey studio on February 17, 1972, the influential trumpeter was shot and killed by his wife at the age of 33. Refusing to confine himself to hard bop , Morgan was exploring soul-jazz and fusion during the last years of his life -- and his enthusiasm for soul ...
The Allmusic review by Scott Yanow stated: "At the time Morgan (who was just 17) was very much under the musical influence of Clifford Brown although a bit of his own personality was starting to shine through". [1]