Search results
Results from the WOW.Com Content Network
C-sharp minor is a minor scale based on C ... The C-sharp harmonic minor and melodic minor scales are: Audio playback is not supported in your browser.
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♮ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
C ♯ (C-sharp) is a musical note lying a chromatic semitone above C and a diatonic semitone below D; it is the second semitone of the solfège. C-sharp is thus enharmonic to D ♭ . It is the second semitone in the French solfège and is known there as do dièse .
The jazz minor scale or ascending melodic minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used. As the name implies, it is primarily used in jazz [ citation needed ] , although it may be found in other types of music as well.
Piano Sonata in C-sharp minor (Tchaikovsky) Piano Sonata in C-sharp minor, D 655 (Schubert) Piano Sonata No. 14 (Beethoven) Polonaises, Op. 26 (Chopin) Prelude and Fugue in C-sharp minor, BWV 849; Prelude and Fugue in C-sharp minor, BWV 873; Prelude in C-sharp minor (Rachmaninoff) Prelude in C-sharp minor, Op. 11, No. 10 (Scriabin)
D-flat minor is usually notated as the enharmonic key of C-sharp minor, as in the second and third measures of Amy Beach's Canticle of the Sun. [1] However, unusually, two of Verdi's most well-known operas, La traviata and Rigoletto, both end in D-flat minor (although written with the five-flat key signature of the parallel major).
Its relative minor is A-sharp minor (or enharmonically B-flat minor), its parallel minor is C-sharp minor, and its enharmonic equivalence is D-flat major. The C-sharp major scale is: Audio playback is not supported in your browser.
The Piano Concerto in C-sharp minor, FP 146, by French composer Francis Poulenc is the last of his five concertos. Written in 1949 on commission from the Boston Symphony Orchestra , it has three movements and a duration of about 19 minutes.