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Laocoön and His Sons sculpture shows them being attacked by sea serpents. As related in the Aeneid, after a nine-year war on the beaches of Troy between the Danaans (Greeks from the mainland) and the Trojans, the Greek seer Calchas induces the leaders of the Greek army to win the war by means of subterfuge: build a huge wooden horse and sail away from Troy as if in defeat—leaving the horse ...
The Trojans, watching this unfold, assumed Laocoön was punished for the Trojans' mutilating and doubting Sinon, the undercover Greek soldier sent to convince the Trojans to let him and the horse inside their city walls. Thus, the Trojans wheeled the great wooden horse in. Laocoön did not give up trying to convince the Trojans to burn the horse.
In Greek mythology, the Trojan Horse (Greek: δούρειος ίππος, romanized: doureios hippos, lit. 'wooden horse') was a wooden horse said to have been used by the Greeks during the Trojan War to enter the city of Troy and win the war.
Troilus is known to take great delight in his horses. Achilles ambushes him and his sister Polyxena when he has ridden with her for water from a well in the Thymbra – an area outside Troy where there is a temple of Apollo. The Greek is struck by the beauty of both Trojans and is filled with lust.
The Tragedy of Troilus and Cressida, often shortened to Troilus and Cressida (/ ˈ t r ɔɪ l ʌ s ... ˈ k r ɛ s ɪ d ə / or / ˈ t r oʊ. ɪ l ʌ s /) [1] [2]), is a play by William Shakespeare, probably written in 1602.
The original title of the play in the ancient Greek is Αἴας. Ajax is the romanized version, and Aias is the English transliteration from the original Greek. [2] Proper nouns in Ancient Greek have conventionally been romanized before entering the English language, but it has been common for translations since the end of the 20th century to use direct English transliterations of the ...
The Horses of Neptune, illustration by Walter Crane, 1893. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
The Achaeans take their meal, but Achilles refuses to eat. His horse, Xanthos, prophesies Achilles's death; Achilles is indifferent. Achilles goes into battle, with Automedon driving his chariot. Zeus lifts the ban on the gods' interference, and the gods freely help both sides. Achilles, burning with rage and grief, slays many Trojans.