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Pages in category "Short stories by Albert Camus" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. A.
"The Guest" (French: L'Hôte) is a short story by the French writer Albert Camus. It was first published in 1957 as part of a collection entitled Exile and the Kingdom (L'exil et le royaume). The French title "L'Hôte" translates into both "the guest" and "the host" which ties back to the relationship between the main characters of the story.
The style Camus employs in "The Renegade" is representative of the fictional narrator and can sometimes be difficult to decipher. The story is written in the first person perspective and just like the narrator, the language is muddled, disjointed and disorganized; leaving the reader to piece together the facts from the hysterical and neurotic monologue.
"The Adulterous Woman" (French: La femme adultère) is a short story written in 1957. It is the first short story published in the volume Exile and the Kingdom by Albert Camus . Characters
Albert Camus: A Life. Carroll & Graf. ISBN 978-0-7867-0739-3. Willsher, Kim (7 August 2011). "Albert Camus might have been killed by the KGB for criticising the Soviet Union, claims newspaper". The Guardian. Zaretsky, Robert (2018). " 'No Longer the Person I Was': The Dazzling Correspondence of Albert Camus and Maria Casarès". Los Angeles ...
Exile and the Kingdom (French: L'Exil et le Royaume) is a 1957 collection of six short stories by French writer Albert Camus. First published in French, in translation, it was not well received by contemporary English critics. [1] The underlying theme of these stories is human loneliness and feeling foreign and isolated in one's own society. [2]
"The Silent Men" (French: Les muets) is a short story written in 1957. It is the third short story published in the volume Exile and the Kingdom by Albert Camus.
Albert Camus "The Artist at Work" (Jonas, ou l'artiste au travail) is a short story by the French writer Albert Camus from Exile and the Kingdom (L'Exil et le royaume, 1957). It has been described as "a satirical commentary on Camus’ personal experience among the Paris intellectual elite of the 1940s and 1950s". [1]