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The "treasure box" at the Violin Museum in Cremona. Techniques developed by luthiers in Cremona for making stringed instruments hold unique importance in the world of music. Cremonese luthiers standardized the violin family of instruments, and Cremonese violinmaking techniques are still considered by many to be the best in the world.
Amati (/ ə ˈ m ɑː t i /, Italian:) is the last name of a family of Italian violin makers who lived at Cremona from about 1538 to 1740. Their importance is considered equal to those of the Bergonzi, Guarneri, and Stradivari families. Today, violins created by Nicolò Amati are valued at around $600,000. [1]
Amati would also have been a logical choice for Antonio's parents, as he represented an old family of violin makers in Cremona, and was far superior to most other luthiers in Italy. [15] Some researchers [who?] believe there is a closer educational association between Antonio Stradivari and Francesco Rugeri than has previously been recognized ...
Indeed, two of the five violin makers of the Guarneri family, the two Pietros—of different generations—left Cremona, the first for Mantua, the second for Venice, apparently because business prospects in Cremona were so stunted by the presence of Stradivari.
Andrea Amati (ca. 1505 - 1577, Cremona) was a luthier, from Cremona, Italy. [1] [2] Amati is credited with making the first instruments of the violin family that are in the form we use today. [3] Several of his instruments survive to the present day, and some of them can still be played.
The Violin Museum (Italian: Museo del Violino), formerly the Stradivarius Museum (Italian: Museo Stradivari), is a musical instrument museum located in Cremona.The museum is best known for its collection of stringed instruments that includes violins, violas, cellos, and double basses crafted by renowned luthiers, including Antonio Stradivari and Giuseppe Guarneri del Gesù.
Giuseppe Giovanni Battista Guarneri, better known as Giuseppe filius Andrea Guarneri (25 November 1666 – c. 1739/1740) was a violin maker from the prominent Guarneri family of luthiers who lived in Cremona, Italy.
After the 1629-1631 Italian plague virtually wiped out all the luthiers of Cremona and Brescia, Nicola singlehandedly continued the local tradition of violin making. Demand for musical instruments began to increase in the 1640s, causing him to be one of the first to take apprentices from outside his family into his workshop.