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Violin Museum. The ancient tradition of Cremona's violin making is protected by two supervisory bodies: the Stradivari Violin Makers Consortium and the Violin Making Italian Association, which represents more than 140 craftsmen. [3] In addition, the Cremona International Violin Making School was founded in Cremona on 12 September 1938. [4]
Andrea Amati (ca. 1505 - 1577, Cremona) was a luthier, from Cremona, Italy. [1] [2] Amati is credited with making the first instruments of the violin family that are in the form we use today. [3] Several of his instruments survive to the present day, and some of them can still be played.
Amati (/ ə ˈ m ɑː t i /, Italian:) is the last name of a family of Italian violin makers who lived at Cremona from about 1538 to 1740. Their importance is considered equal to those of the Bergonzi, Guarneri, and Stradivari families. Today, violins created by Nicolò Amati are valued at around $600,000. [1]
A Guarneri violin is a center object in one of Andrea Camilleri's main Montalbano novels La Voce del violino ("The voice of the violin"). In the summer of 2010, the ex- Vieuxtemps Guarneri del Gesù, a violin built in 1741 by Bartolomeo Giuseppe Guarneri, was offered for sale at auction with a starting bid of $18 million, the highest price ever ...
The most illustrious member of the house of Guarneri, Bartolomeo was the son of Giuseppe Giovanni Battista, thus the grandson of Andrea Guarneri, [8] both noted violin makers themselves. Andrea learned his trade as an apprentice of Nicolò Amati , to whom Stradivari was also apprenticed.
Some of his early violins were smaller, with notable exception to this is the 1679 Hellier violin, which had much larger proportions. [31] Stradivari's early (pre-1684) violins are in strong contrast to Amati's instruments from the same time period; Stradivari's have a stronger build; less rounded curves, with the purfling set farther in. [32] [33]
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