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The Cultural Revolution, formally known as the Great Proletarian Cultural Revolution, was a sociopolitical movement in the People's Republic of China (PRC). It was launched by Mao Zedong in 1966 and lasted until 1976. Its stated goal was to preserve Chinese socialism by purging remnants of capitalist and traditional elements from Chinese society.
The cultural revolution was a set of activities carried out in Soviet Russia and the Soviet Union, aimed at a radical restructuring of the cultural and ideological life of society. The goal was to form a new type of culture as part of the building of a socialist society , [ 1 ] [ 2 ] including an increase in the proportion of people from ...
The culture of the People's Republic of China (PRC) is a rich and varied blend of traditional Chinese culture with communist and other international modern and post-modern influences. During the Cultural Revolution , an enormous number of cultural treasures of inestimable value were seriously damaged or destroyed, and the practice of many arts ...
Word of the Week posters were politically skewed and meant to rally public opinion in support of the Nazi efforts. The posters set out to educate and unify the German people before and especially during World War II. The posters were placed in train cars, buses, platforms, ticket windows—anywhere there was dense traffic flow.
Posters used the language spoken in the region they were to be used in, and thus propaganda posters using the Arabic and Latin scripts exist, in addition to Cyrillic. [ 15 ] [ 18 ] Arabic script in posters had begun to be phased out by the 1930s, as the Soviet government promoted Latin-based scripts for speakers of languages such as Azerbaijani ...
Because social evolution was posited as a scientific theory, it was often used to support unjust and often racist social practices – particularly colonialism, slavery, and the unequal economic conditions present within industrialized Europe. Social Darwinism is especially criticised, as it purportedly led to some philosophies used by the Nazis.
During the 1940s and 1950s Greenberg proved to be an articulate and powerful art critic. In particular his writing on American Abstract expressionism, and 20th-century European modernism persuasively made the case for High art and culture.
There was a prevailing sense of optimism, as socialist realism's function was to show the ideal Soviet society. Not only was the present glorified, but the future was also supposed to be depicted in an agreeable fashion. Because the present and the future were constantly idealized, socialist realism had a sense of forced optimism.