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"Make Me Lose Control" is a song written and performed by singer-songwriter Eric Carmen and co-written with Dean Pitchford. It is one of two major hits written by the duo, the other being the 1984 song "Almost Paradise" by Mike Reno and Ann Wilson. "Make Me Lose Control" reached No. 3 on the Billboard Hot 100 in 1988.
Reason to Try", a further contribution to the One Moment in Time compilation album of songs recorded for the 1988 Seoul Summer Olympics, kept Carmen's profile high in 1988, during which the nostalgic "Make Me Lose Control" also returned him to the number one position on the Adult Contemporary chart – where it stayed for three straight weeks ...
In 1988, "That's Rock 'n' Roll" was featured as the B side of a subsequent major hit by Carmen, "Make Me Lose Control." Chaospin critic Linda Giantino rated it Carmen's 7th greatest solo song. [ 4 ] Classic Rock History critic Brian Kachejian rated it to be Carmen's 8th greatest solo song.
Make Me Lose Control may refer to: "Make Me Lose Control" (song), a 1988 single by Eric Carmen; Make Me Lose Control (Grey's Anatomy), a 2005 television episode
"Lose Control" is a song by American rapper Missy Elliott featuring American singer Ciara and American hip hop artist Fatman Scoop. It was released as the lead single from Elliott's sixth studio album, The Cookbook , on May 23, 2005.
It is one of several major hits written by singer Eric Carmen with lyricist Dean Pitchford, another being "Make Me Lose Control". Because both of their respective bands were successful during the 1980s, Reno and Wilson were approached to record a duet for the film Footloose and its accompanying soundtrack.
Change of Heart is a 1978 album by Eric Carmen.It was his third solo LP, and reached No. 137 on the Billboard album chart.. The album yielded two charting singles, the title track which was a Top 20 hit in North America, as well as Carmen's remake of the Four Tops' 1964 song, "Baby I Need Your Loving".
Carmen said: "Overnight Sensation" was like the first video that I ever saw in my head. It was written very theatrically. The first scene was, you can picture Abbey Road Studios, this great, huge dark room with a real high camera and this one spotlight on the singer and it was like this guy singing in his living room, thinking about the music business.