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  2. Soundboard (computer program) - Wikipedia

    en.wikipedia.org/wiki/Soundboard_(computer_program)

    Thanks to the popularization of online videogames and communication tools through the Internet, different soundboard software has appeared. Note the following developments: EXP Soundboard (open source and compatible with WAV and MP3 audio files) Soundpad, or with more features Noise-o-matic, Resanance or Voicemod (combining a voice changer, a voice generator and a soundboard in the same app.)

  3. Soundboard recording - Wikipedia

    en.wikipedia.org/wiki/Soundboard_recording

    A soundboard recording is a sound recording of a concert taken from a direct connection to the soundboard at the venue. Soundboard recordings are considered to be among the highest quality bootleg recordings of live performances [1] [2] [3] though some soundboard recordings may have an off-balance audio mix. [4]

  4. Opus (audio format) - Wikipedia

    en.wikipedia.org/wiki/Opus_(audio_format)

    Opus is a lossy audio coding format developed by the Xiph.Org Foundation and standardized by the Internet Engineering Task Force, designed to efficiently code speech and general audio in a single format, while remaining low-latency enough for real-time interactive communication and low-complexity enough for low-end embedded processors.

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  6. Soundboard - Wikipedia

    en.wikipedia.org/wiki/Soundboard

    Soundboard (music), a part of a musical instrument; Sounding board, an attachment to a pulpit to assist a human speaker; Mixing console, used to combine electronic audio signals; Soundboard (computer program), a web application or computer program with buttons that play short, often humorous sound clips

  7. Loudness war - Wikipedia

    en.wikipedia.org/wiki/Loudness_war

    The practice of focusing on loudness in audio mastering can be traced back to the introduction of the compact disc, [3] but also existed to some extent when the vinyl phonograph record was the primary released recording medium and when 7-inch singles were played on jukebox machines in clubs and bars.

  8. Equal-loudness contour - Wikipedia

    en.wikipedia.org/wiki/Equal-loudness_contour

    These are intended to offset the apparent loudness fall-off at those frequencies, especially at lower volume levels. Boosting these frequencies produces a flatter equal-loudness contour that appears to be louder even at low volume, preventing the perceived sound from being dominated by the mid-frequencies where the ear is most sensitive.

  9. Up to eleven - Wikipedia

    en.wikipedia.org/wiki/Up_to_eleven

    The original "up to eleven" knobs in the 1984 film This Is Spinal Tap "Up to eleven", also phrased as "these go to eleven", is an idiom from popular culture, coined in the 1984 film This Is Spinal Tap, where guitarist Nigel Tufnel demonstrates a guitar amplifier whose volume knobs are marked from zero to eleven, instead of the usual zero to ten.

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