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Notes that are shown as sharp or flat in a key signature will be played that way in every octave—e.g., a key signature with a B ♭ indicates that every B is played as a B ♭. A key signature indicates the prevailing key of the music and eliminates the need to use accidentals for the notes that are always flat or sharp in that key. A key ...
The C-C-G-C-E-G tuning uses the harmonic sequence (overtones) of the note C. When an open-note C-string is struck, its harmonic sequence begins with the notes (C,C,G,C,E,G,B♭,C). [3] [4] This overtone-series tuning was modified by Mick Ralphs, who used a high C rather than the high G for "Can't Get Enough" on Bad Company. Ralphs said, "It ...
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
The strings of the guitar are tuned two whole steps lower than standard tuning. The resulting notes can be described most commonly as C-F-A♯-D♯-G-C or C-F-B♭-E♭-G-C. This is not to be confused with C ♯ tuning, which is one and one half steps lower than standard tuning. The tuning is commonly used by metal and hard rock artists to ...
The English guitar used a repetitive open C tuning (with distinct open notes C–E–G–C–E–G) that approximated a major-thirds tuning. [26] This tuning is evident in William Ackerman's song "Townsend Shuffle", as well as by John Fahey for his tribute to Mississippi John Hurt. [31] [32]
Regular tunings allow chord note-forms to be shifted all around the fretboard, on all six strings (unlike standard or other non-regular tunings). Knowing a few note-patterns—for example of the C major, C minor, and C7 chords—enables a guitarist to play all such chords. [64]
The augmented-fourths tuning is the only tuning (other than the 'trivial' tuning C–C–C–C–C–C) for which all chords-forms remain unchanged when the strings are reversed. Thus the augmented-fourths tuning is its own 'lefty' tuning."
Depending on the context, sometimes it is sufficient merely to name the notes, as in E–A–D–G–B–E for the guitar. The notes should be named by uppercase letters, and separated by dashes. Sharp and flat signs are placed immediately after the note name, for example B ♭ or F ♯, as indicated by Wikipedia:Manual of Style (music)# ...