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The global electromagnetic resonance phenomenon is named after physicist Winfried Otto Schumann who predicted it mathematically in 1952. Schumann resonances are the principal background in the part of the electromagnetic spectrum [2] from 3 Hz through 60 Hz [3] and appear as distinct peaks at extremely low frequencies around 7.83 Hz (fundamental), 14.3, 20.8, 27.3, and 33.8 Hz.
Clara Schumann, Robert's widow, later claimed on the first page of the score to the symphony—as published in 1882 as part of her husband's complete works (Robert Schumanns Werke, Herausgegeben von Clara Schumann, published by Breitkopf & Härtel)—that the symphony had merely been sketched in 1841 but was only fully orchestrated ...
Exploded-view drawing of a gear pump. An exploded-view drawing is a technical drawing of an object that shows the relationship or order of assembly of the various parts. [13] It shows the components of an object slightly separated by distance or suspended in surrounding space in the case of a three-dimensional exploded diagram.
In 1849, Robert Schumann explored the horn as a solo instrument, dedicating to it an "Adagio and Allegro," Op. 70, before embarking on the composition of an orchestral work featuring four solo horns (having also composed the "Five Songs based on Heinrich Laube's Hunting Compendium" for men's choir and four horns, Op. 137 that same year).
Robert Schumann. This list of compositions by Robert Schumann is classified into piano, vocal, orchestral and chamber works. All works are also listed separately, by opus number. Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition around the time of his marriage to Clara Wieck. The list is based on ...
Carnaval, Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled Scènes mignonnes sur quatre notes (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent.
Waldszenen (Forest Scenes), Op. 82, is a set of nine short solo piano pieces composed by Robert Schumann in 1848–1849, first published in 1850–1851 in Leipzig by Bartholf Senff. [ 1 ] On the set, Schumann wrote: "The titles for pieces of music, since they again have come into favor in our day, have been censured here and there, and it has ...
The Overture, Scherzo and Finale (German: Ouvertüre, Scherzo und Finale) in E major is a work for symphony orchestra by Robert Schumann. It is his opus 52, and was written in 1841. Schumann originally considered it his second symphony. [ 1 ]