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"Dandy" was only released in Britain and America on the Face to Face album. However, it was released as a single in continental Europe, where it charted, reaching #1 in Germany, #2 in Belgium #3 in the Netherlands and #6 in Austria. In some countries, (such as Norway) "Dandy" was flipped with "Party Line" (also from Face to Face) as the A-side.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
This is an A–Z list of jazz tunes, which includes jazz standards, pop standards, and film song classics which have been sung or performed in jazz on numerous occasions and are considered part of the jazz repertoire. For a chronological list of jazz standards with author details, see the lists in the box on the right.
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Divvil a man can say a word agin me H, A, double-R, I, G, A, N you see Is a name that a shame never has been connected with Harrigan, that's me! Bing Crosby included the song in a medley on his album 101 Gang Songs (1961) The song was used decades later for a 1960-1961 ABC television series, Harrigan and Son, about a father
The song is known for being the theme song to the TV series Veronica Mars, and was also notably featured in episodes of The O.C. [3] and Wonderfalls, as well as the FIFA Football 2004 soundtrack. It was also the theme song to Australian reality series My Restaurant Rules , and was featured as background music in the LucasArts video game ...
"Candy Girl" is the title of a hit single recorded in 1963 by the Four Seasons. Written by Larry Santos, it is the first original Four Seasons single composed by neither Bob Gaudio nor Bob Crewe. The writer, Larry Santos, would become a chart artist in his own right with 1976's "We Can't Hide It Anymore".
The song was published in 1930. The song was introduced in the musical of the same name in 1930, by the characters Joe Squibb and Nancy Ellis. [1] It has since become a pop and jazz standard. A take-off using the same chord structure but a different melodic line was recorded by Woody Herman and called "Keen and Peachy".