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Passing chord in B ♭ from across the circle of fifths (tritone, see also tritone substitution): B ♮ 7 Play ⓘ. [1] The circle of fifths drawn within the chromatic circle as a star dodecagon. [2] In music, a passing chord is a chord that connects, or passes between, the notes of two diatonic chords. [3] "
Bebop scale is a term referring to the practice of adding a note (typically a chromatic passing tone) to any common seven tone scale in order to make it an eight tone scale. Having eight notes enables the primary chord tones to continuously fall on the on-beats when the scale is played sequentially. This is unlike common seven note scales in ...
[4] For example, if an excerpt from a piece of music implies or uses a C-major chord, then the notes C, E and G are members of that chord, while any other note played at that time (e.g., notes such as F ♯) is a nonchord tone. Such tones are most obvious in homophonic music but occur at least as frequently in contrapuntal music.
The diatonic scale notes (above) and the non-scale chromatic notes (below) [13] Medieval theorists defined scales in terms of the Greek tetrachords. The gamut was the series of pitches from which all the Medieval "scales" (or modes, strictly) notionally derive, and it may be thought of as constructed in a certain way from diatonic tetrachords.
The chromatic circle is useful because it represents melodic distance, which is often correlated with physical distance on musical instruments. For instance, assuming 12-tone equal temperament, to move from any C on a keyboard to the nearest E, one must move up four semitones, corresponding to four clockwise steps on the chromatic circle.
Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord; Root (chord) Seventh chord; Synthetic chord ...
The chromatic scale climbs after exactly four frets in major-thirds tuning, so reducing the extensions of the little and index fingers ("hand stretching"). [6] For other regular tunings, the successive strings have intervals that are minor thirds, perfect fourths, augmented fourths, or perfect fifths; thus, the fretting hand covers three, five ...
The six-note blues scale consists of the minor pentatonic scale plus a chromatic passing tone between the 4 and 5. This added note can be spelled as either ♭ 5 or ♯ 4. Guitarists often mix the major and minor pentatonics together along with the blues scale. Another common blues scale has nine notes (shown to the right).
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