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Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals ) indicate intervals , chords , and non-chord tones that a musician playing piano , harpsichord , organ , or lute (or other instruments capable of playing chords) should play in relation to ...
The scheme I-x-V-I symbolizes, though naturally in a very summarizing way, the harmonic course of any composition of the Classical period.This x, usually appearing as a progression of chords, as a whole series, constitutes, as it were, the actual "music" within the scheme, which through the annexed formula V-I, is made into a unit, a group, or even a whole piece.
The most common extended dominant chord is the tertiary dominant, [citation needed] which resolves to a secondary dominant. For example, V/V/V (in C major, A (7) ) resolves to V/V (D (7) ), which resolves to V (G (7) ), which resolves to I. Note that V/V/V is the same chord as V/ii, but differs in its resolution to a major dominant rather than ...
See figured bass for alternate method of notating specific notes in the bass. Upper structures are notated in a similar manner to inversions, except that the bass note is not necessarily a chord tone. For example: C/A ♭ bass (A ♭ –C–E–G), which is equivalent to A ♭ M7 ♯ 5, C ♯ /E bass (E–G ♯ –C ♯ –E ♯), and; Am/D ...
Phrygian dominant: Mix. Mixolydian: Name Image Sound # of chords Quality ... DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services, Inc., ASIN ...
Chord inversions and chords with other altered bass notes are notated analogously to regular slash chord notation. In the key of C, C/E (C major first inversion, with E bass) is written as 1/3; G/B is written as 5/7; Am/G (an inversion of Am7) is written as 6m/5; F/G (F major with G bass) is 4/5. Just as with simple chords, the numbers refer to ...
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An interval is inverted by raising or lowering either of the notes by one or more octaves so that the higher note becomes the lower note and vice versa. For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved.