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  2. Figured bass - Wikipedia

    en.wikipedia.org/wiki/Figured_bass

    Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals ) indicate intervals , chords , and non-chord tones that a musician playing piano , harpsichord , organ , or lute (or other instruments capable of playing chords) should play in relation to ...

  3. Secondary chord - Wikipedia

    en.wikipedia.org/wiki/Secondary_chord

    The most common extended dominant chord is the tertiary dominant, [citation needed] which resolves to a secondary dominant. For example, V/V/V (in C major, A (7) ) resolves to V/V (D (7) ), which resolves to V (G (7) ), which resolves to I. Note that V/V/V is the same chord as V/ii, but differs in its resolution to a major dominant rather than ...

  4. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    In this ordering, the progression ends with a double plagal cadence in the key of the dominant (in the Mixolydian mode) and could also be respelled ii–bVII–IV–I, opening with a backdoor turnaround. The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna [5] and "Down" by Jay Sean. [6]

  5. Stradella bass system - Wikipedia

    en.wikipedia.org/wiki/Stradella_bass_system

    96-button Stradella bass layout on an accordion. C is in the middle of the root note row. The Stradella Bass System (sometimes called [1] standard bass) is a buttonboard layout equipped on the bass side of many accordions, which uses columns of buttons arranged in a circle of fifths; this places the principal major chords of a key (I, IV and V) in three adjacent columns.

  6. Dominant (music) - Wikipedia

    en.wikipedia.org/wiki/Dominant_(music)

    The scheme I-x-V-I symbolizes, though naturally in a very summarizing way, the harmonic course of any composition of the Classical period.This x, usually appearing as a progression of chords, as a whole series, constitutes, as it were, the actual "music" within the scheme, which through the annexed formula V-I, is made into a unit, a group, or even a whole piece.

  7. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    Chord inversions and chords with other altered bass notes are notated analogously to regular slash chord notation. In the key of C, C/E (C major first inversion, with E bass) is written as 1/3; G/B is written as 5/7; Am/G (an inversion of Am7) is written as 6m/5; F/G (F major with G bass) is 4/5. Just as with simple chords, the numbers refer to ...

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